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This blog is a storage space for various thoughts, observations and musings centering on shōjo manga (少女漫画, Japanese comics for girls), josei-oriented manga (Japanese comics for women) and manga created by women (in the widest sense). Topics from other fields of relevance, such as music, art, literature and film may be discussed here as well.

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Viewing all posts in category: Anime



2×7 – NANA TV anime

The new anime season started off for me with NANA, which was also my personal most anticipated new series for spring ’06. This being the adaptation of one of my favourite shoujo manga, my expectations were extremely high.

The animation is being done be Studio MADHOUSE, who did a great job at Paradise Kiss, another adaptation of a Yazawa Ai manga, in the second half of last year.

And they did not disappoint me with NANA. Luckily, the first episode proved that the TV anime is not a pannel to frame adaptation but takes a bit of artistic freedom here and there by leaving things out, adding short scenes and showing scenes from a different angle than in the manga, so it doesn’t give the avid NANA manga reader the feeling they’ve “seen” it all before.
(Which is what happened to me with the NANA movie last year where some scenes seemed all too familiar, especially the scene on the train, the two Nanas’ first meeting, because it used the same angles as the manga and seemed to follow it pannel by pannel.)

The character design of the anime is good, but by no means as cute or beautiful as in the manga. Especially the profiles tend towards the ugly side of things, and a lot of times the full body proportions seem too stretched, even for a shoujo series.

The animation itself is quite decent, including the CG sequences which blend in rather well with the traditionally created scenes.

The music fits pretty well; the opening theme by Tsuchiya Anna and the ending theme by Olivia set the mood for the respective bands and these two vocalists symbolize the fact that NANA (like the original manga itself) is not about authentic (indie) rock or punk but just their mainstream versions (or how the mainstream perceives these genres).

What I’ve noticed after the first 5 minutes already, is that the TV adaptation relies heavily on comedy scenes, more than the manga. The background music (which sometimes reminded me of BGM to be heard during a circus show) emphasized that effect. There were more melancholic and quieter scenes but they definitely were fewer (and shorter) than those slapstick comedy scenes.

I am satisfied with the way they condensed the story, though Hachi/Nana doesn’t quite come off as the bad girl she really is as they left out a lot of her past (her affair with the married man etc.) but this was only the first episode and they might fit in bits of the background story at some later point.

The first episode aired late this past Wednesday so naturally, there aren’t any fansubs out yet. However, if your knowledge of (modern, everyday) Japanese is at a medium degree, you’ll be able to follow the dialogue pretty well. And if you’ve read the manga in Japanese (like me), you won’t face any difficulties at all because all the lines have been used in the manga and you won’t hear anything new.

Ah, I almost forgot: the voice acting! I love Oosaki Nana’s voice *_* Last year, I took really long to get used to Nakashima Mika’s voice who played Nana in the movie adaptation. Her voice sometimes seemed a bit too weak. Not with Paku Romi, the voice actress of the animated Nana :) She has this ultra deep, manly voice which is how I imagine it when reading the manga. And it’s when she speaks softlier that she sounds irresistibly sexy! So far, I really really like her. Hachi’s voice is alright and there’s nothing to be said about the rest of the cast because besides Shouji and Junko, no other main characters have appeared yet. Can’t wait for next week’s episode~

Here are some screencaps:



















2 Comments

Categories: Anime, Various.
Tags: , , , , , , , , , .
Posted on Apr 7, 2006 (Fri, 1:34 am). .

Match Point, Mushishi & Manga

Have any of you seen Match Point? I have to admit I’m not that much of a Woody Allen fan and I mostly went to see it because of Mr Rhys-Meyers and Miss Johansson but who cares what made me want to watch it in the first place? All that matters is I saw it. And loved it. Every minute of it. It was so intense, so complex, so absolutely convincing ♥

I’m also trying to watch a bit of anime. The new season features so many good series, it’s really hard to keep up with all of them. Mushishi has to be one of my favourites of the season; it’s neo-japanesque (ha!), atmospheric, almost melancholic and natsukashii; and the sceneries are so beautiful, absolutely amazing.

I’m also watching Monster, Garasu no kamen, Eureka seveN, Noein and ParaKisu.

On the manga front, I’ve been reading lots of shoujo classics and newer works by older artists (Kuramochi Fusako, Ikuemi Ryou). I still have subscriptions for Betsuma and Hana to yume so that makes for a nice stack of low quality paper in my apartment and hours of fun for an avid manga reader.

2 Comments

Categories: Anime, Film/TV, Manga, Various.
Tags: , , , , , , , , , , , , , , , .
Posted on Jan 9, 2006 (Mon, 6:10 pm). .

Honey & Clover

Time passes way too quickly for me at the moment; the first week of May is already over! Which means it’s high time I started writing something about the new anime series that started in April. So here’s my impression of Hachimitsu to Clover, the new anime series I’ve been looking forward to the most this season.

The original manga series by Umino Chica is one of my favourite manga at the moment. I’m so in love with it! It’s been running in Shueisha’s Young You for slightly more than 3 and a half years now and it received the Kodansha manga award in 2003. The manga succeeds in combining light-hearted and often downright hilarious comedy depicting the everyday life of a group of art school students and some of their teachers with philosophical moments of bittersweet melancholy and romance that can move the reader to tears. Primarily, it is a manga for young women but it speaks a universal language that transcends boundaries of age and gender and thus appeals to both female and male readers from young teenagers to adults.

So last night, I watched the first two episodes of the Hachikuro anime TV series that is currently shown on Fuji TV. I was half-expecting something stylish but I was by no means prepared for something this perfect *_* Mind you, the first chapters of the manga were published in Cutie (before Young You picked it up), a fashion magazine for young women (and one of my favourite mags, too ♥), which means the series always had a artsy, fashion, lifestyle and music-related sort of background. So it’s no wonder that the anime adaptation is supported by fashion labels such as adidas, we and Levi’s. And the opening sequence is directed by Noda Nagi, an art&video director responsible for ad campaigns for a variety of fashion labels and music videos; it’s the weirdest anime OP I’ve ever seen. In a good sense :)
I don’t like the opening song too much because I’ve never been a fan of (ex-Judy and Mary no) YUKI’s voice, in fact I find it quite annoying ^^; But it fits the quirky, indie pop inspired atmosphere of the anime just perfectly.

The show itself is beautifully animated, the character designs are splendid and the voice acting is superb (though I don’t like the voice of Takemoto at all -_-). I’m really fond of the colours, they work very well together with the general atmosphere of the anime :)
The story follows the manga quite closely, though there are a few extra scenes and variations here and there.
They’ve preserved the hilarious slapstick scenes (oh my God, I LOVE Morita!!!) and even Hagu’s annoying-ness is just as bearable as in the manga. They could’ve made me hate her by giving her an overly cutesy voice actress but the voice she now has is quite alright. I’m also glad they introduced Yamada Ayumi right in the first episode and gave her a few extra scenes because she’s my favourite character (go Ayu!) and I think she’s the one most fans of the manga can identify with most easily.

And then, right in the first episode… a melancholic moment… a song starts playing – and it’s Hachimitsu by Spitz. ;__; (‹– Yuuya’s face during that scene)

That was the moment I decided this is my anime.

The ending theme song by Suneo Hair is much better than the OP, and the ‘insert song’ of the second episode by Suga Shikao came at just the right moment, just like the Spitz song.
The background music reminds me a lot of the Chobits BGM, with easy listening tunes that aren’t anything special but match the tone of the story really well.

The only weakness of the anime is the typical problem of books turned into movies. Things that are explained in the manga by a universal narrator who, unfortunately, isn’t present in the anime. Each episode of the manga ends with a philosophical little note that often foreshadows things to come. There is no such thing in the anime. So for example, when Takemoto’s stomach suddenly aches when he thinks of Hagu while carrying Morita on his back, it is left to the viewer to realise that this pain isn’t caused by hunger but by love, something which the narrator tells us in the manga (in a very sweet way).
But so far, this is the only negative thing I can note about the anime. And I’m so glad they’ve preserved the overall atmosphere of the manga and even enhanced it with elements such as beautiful colour schemes and (not so) indie guitar pop songs.

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Categories: Anime, Manga, Music, Various.
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Posted on May 8, 2005 (Sun, 10:21 pm). .




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