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This blog is a storage space for various thoughts, observations and musings centering on shōjo manga (少女漫画, Japanese comics for girls), josei-oriented manga (Japanese comics for women) and manga created by women (in the widest sense). Topics from other fields of relevance, such as music, art, literature and film may be discussed here as well.

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For the most part, Japanese names appear in their original order - surname first, followed by the given name.

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Viewing all posts with tag: music: jrock



East meets West, Old meets New

Yoko Kanno/Aoi Tada – Wo Qui Non Coin
(From the original soundtrack album Cowboy Bebop BLUE, Japan, 1999.)
The audio embodiment of cute yet melancholic. Even after all those years still one of my favourite songs featured in an anime; produced by Yoko Kanno, vocals by Aoi Tada, the voice actress of Ed. (And this song almost made me pick an entire rotation with songs dedicated to having lost one’s dog… almost ;) )

Cocco – Onsoku Punch
(From the single Onsoku Punch, Japan, 2006.)
Cocco’s back after 5 years (minus the Singer Songer project last summer) with a new single. Don’t let the first 30 seconds fool you: this is not some Avex techno-pop tune but sexy (mainstream) rock that leaves you wanting more.

Hotaru – Kaijin Nijuu Mensou
(From the maxi CD Kayou Suspense Gekijou, Japan, 2002.)
I’ve probably uploaded this a million times before, but… my mission will only be fulfilled once every single human being on this planet has heard this song. No. But! This is brilliant. Infectious might be an even more appropriate word. (And don’t let me get started on what a great band Hotaru were ;_;)

Remioromen – Shouwa
(From the album Asagao, Japan, 2003.)
Ah the old times, when Remioromen weren’t huge and sounded like a younger copy of Mr. Children. I still love them and am extremely looking forward to their new album out in May but I suppose I’ll always prefer their earlier stuff like this wonderful, (slightly emo-ish) song.

Maximo Park – A19 & Isolation
(From the album Missing Songs, UK, 2005.)
A19 is Maximo Park at their usual: retro greatness with amazing hooks; the John Lennon cover Isolation shows a more experimental side of the band.

The Strokes – Electricityscape & Ize of the World
(From the album First Impressions of Earth, USA, 2005.)
I had to overcome all my prejudices against this band because their new album is actually quite good and a lot more diverse than the two previous ones. Some songs on it are impossible to get out of your head; I especially like the contrast between the verse and the chorus of Ize of the World, the combination of addictive pop and angry hard rock; and no, there’s nothing wrong with the end of the song – just listen to the lyrics and you’ll understand the rather abrupt ending.

8 Comments

Categories: MP3s/Song Samples, Music, Various.
Tags: , , , , , , .
Posted on Mar 24, 2006 (Fri, 10:40 pm). .

Honey & Clover

Time passes way too quickly for me at the moment; the first week of May is already over! Which means it’s high time I started writing something about the new anime series that started in April. So here’s my impression of Hachimitsu to Clover, the new anime series I’ve been looking forward to the most this season.

The original manga series by Umino Chica is one of my favourite manga at the moment. I’m so in love with it! It’s been running in Shueisha’s Young You for slightly more than 3 and a half years now and it received the Kodansha manga award in 2003. The manga succeeds in combining light-hearted and often downright hilarious comedy depicting the everyday life of a group of art school students and some of their teachers with philosophical moments of bittersweet melancholy and romance that can move the reader to tears. Primarily, it is a manga for young women but it speaks a universal language that transcends boundaries of age and gender and thus appeals to both female and male readers from young teenagers to adults.

So last night, I watched the first two episodes of the Hachikuro anime TV series that is currently shown on Fuji TV. I was half-expecting something stylish but I was by no means prepared for something this perfect *_* Mind you, the first chapters of the manga were published in Cutie (before Young You picked it up), a fashion magazine for young women (and one of my favourite mags, too ♥), which means the series always had a artsy, fashion, lifestyle and music-related sort of background. So it’s no wonder that the anime adaptation is supported by fashion labels such as adidas, we and Levi’s. And the opening sequence is directed by Noda Nagi, an art&video director responsible for ad campaigns for a variety of fashion labels and music videos; it’s the weirdest anime OP I’ve ever seen. In a good sense :)
I don’t like the opening song too much because I’ve never been a fan of (ex-Judy and Mary no) YUKI’s voice, in fact I find it quite annoying ^^; But it fits the quirky, indie pop inspired atmosphere of the anime just perfectly.

The show itself is beautifully animated, the character designs are splendid and the voice acting is superb (though I don’t like the voice of Takemoto at all -_-). I’m really fond of the colours, they work very well together with the general atmosphere of the anime :)
The story follows the manga quite closely, though there are a few extra scenes and variations here and there.
They’ve preserved the hilarious slapstick scenes (oh my God, I LOVE Morita!!!) and even Hagu’s annoying-ness is just as bearable as in the manga. They could’ve made me hate her by giving her an overly cutesy voice actress but the voice she now has is quite alright. I’m also glad they introduced Yamada Ayumi right in the first episode and gave her a few extra scenes because she’s my favourite character (go Ayu!) and I think she’s the one most fans of the manga can identify with most easily.

And then, right in the first episode… a melancholic moment… a song starts playing – and it’s Hachimitsu by Spitz. ;__; (‹– Yuuya’s face during that scene)

That was the moment I decided this is my anime.

The ending theme song by Suneo Hair is much better than the OP, and the ‘insert song’ of the second episode by Suga Shikao came at just the right moment, just like the Spitz song.
The background music reminds me a lot of the Chobits BGM, with easy listening tunes that aren’t anything special but match the tone of the story really well.

The only weakness of the anime is the typical problem of books turned into movies. Things that are explained in the manga by a universal narrator who, unfortunately, isn’t present in the anime. Each episode of the manga ends with a philosophical little note that often foreshadows things to come. There is no such thing in the anime. So for example, when Takemoto’s stomach suddenly aches when he thinks of Hagu while carrying Morita on his back, it is left to the viewer to realise that this pain isn’t caused by hunger but by love, something which the narrator tells us in the manga (in a very sweet way).
But so far, this is the only negative thing I can note about the anime. And I’m so glad they’ve preserved the overall atmosphere of the manga and even enhanced it with elements such as beautiful colour schemes and (not so) indie guitar pop songs.

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Categories: Anime, Manga, Music, Various.
Tags: , , , , , , , , , , , , .
Posted on May 8, 2005 (Sun, 10:21 pm). .

Neo-Japanesque

I’m currently going through a nihon bunka (Japanese culture) appreciation phase ^^;
No manga with any references to Japanese history/myth/legend/tradition is safe from being devoured within hours. That’s basically everything that is or has been running in Hakusensha’s Melody. I’ve also read Onodera Akira’s Rokutousei Supika for the millionth time. (If any manga is neo-Japanesque, it’s his.) At the moment, I’m reading Itsuki Natsumi’s Yakumotatsu. I can’t even find the right words to express my deep love for this manga (or any manga by Itsuki-sensei) ♥ Status: 7 volumes of 19 have been read, the rest will follow as soon as I get them.

Now, I also dug out my Kagrra CDs because they’re like the musical equivalent to all the manga mentioned above. Even though I haven’t been very fond of any of their CDs as a major band, they’re still one of my favourite bands because of all their indie releases. And in a moment of mental weakness, I decided to take my appreciation for all those earlier releases to a whole new level and translate my favourite Kagrra CDs -_-; I thought I’d start with gozen and ~Kirameki~. I’m absolutely fascinated by Isshi’s use of old words and grammar structures. They don’t make translating the lyrics any easier, but at least it’s interesting from a linguistic point of view. And it’s ultimately satisfying to bring out the beauty of the songs by fully understanding all those mythological references and the stories Isshi wrote.

It’s especially interesting with gozen because the whole album is one long story and it’s really nice to understand what exactly is going on in every song, how the music mirrors the respective events, how the story progresses and what themes, both in the lyrics and the music, are repeated throughout the whole album.

3 Comments

Categories: Japanese, JRock/JPop, Manga, Various.
Tags: , , , , , , , , , , .
Posted on Feb 15, 2005 (Tue, 6:01 pm). .




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